![]() ![]() ![]() Younger composers to tackle the form included Coleridge-Taylor (1893), Dohnányi (18), Fauré (19), Novák (1896), Pfitzner (1908), Reger (18), Respighi (1902), Suk (1893), Turina (1907), Wolf-Ferrari (1900) and the young Bartók (1904).īoth composers on the present recording were at the height of their musical powers when they turned to the piano quintet, and like Schumann, Brahms and Franck (among others), each composed just one. Others included two each by Gernsheim, Goldmark and Widor, and single works by Berwald, Herzogenberg, Saint-Saëns, Sinding and Stanford. After Schumann’s pioneering work of 1842-the piece that established the combination of piano and string quartet in the chamber music repertoire-others soon followed, notably Brahms (completed in 1864), Franck (1879) and Dvořák (1887, his second piano quintet an earlier work was written in 1872). The piano quintet is a form that came of age in the second half of the nineteenth century.
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